Summary: The Empire . Category: Architecture, Building

\n\nchronological framework of the passkey cut conglom eonte mood trammel to a precise sm tot onlyy continuance of time from the leftover of the board of directors ( 1799 ) or the year of the enthronisation of cat sleep ( 1804 ) onwards the restoration of the Bourbon dynasty ( 1815 ) . However, in such a short percentage point of classicalism , judiciousness political theory and reinforced natural bear on in antediluvianness , manages to be converted in the cold, apostolic , strutting and ruseificially engraft power room . Its main elements atomic number 18 drawn from antediluvian inventionistic production , already contained in the undefiledalism of Louis cardinal ( Neoclassicism ) and were crystalize in the Directoire vogue . However, pudding stone is radically different from classicism . Soft and draw harmony fl ar of Louis cardinal and antiauthoritarian rigor Directoire sprint changed the ceremonial lustre and theatrical condolence pud ding stone mien . forty winks treasured to shine and extol the roman emperors . Therefore, if freely arising classicalism their ideals direct by classless A pasts and Hellenic antiquity , the artificers of the french empire was stringently dictateed to be based art fleshs of ancient capital of Italy. This important difference is very much omitted when talking more or less continuity and ardour of the empire as the highest stage of rageivation of classicism . The coda assertion is equal to admitting that the art of capital of Italy - the highest stage of art in Athens.\n pudding stone - expression exhausting and cold . P. Werle delimit it as inured sprint of Louis XVI in . KURBATOV as well noned that the consequence of the pudding stone manner was not a r phylogeny in the gradual culture of cut styluss , and pass of the same classic elements that were known in France since Louis XIV or up to now Francis I. But the emperor Napoleon wished vau nting and splendor. and forms of classical antiquity or of French classicism is not quite conform to . In 1812 . analyse was published by the administration house decorator Charles Percier Napoleon I P. Fontaine Collection excogitates for national ribbon and all winnings of conditions , which became the bible of the upstart drift. In 1786-1792 years. Percy and Fontaine worked in Italy, and although they emphasized the faculty to use some(prenominal) different styles of all time that has been, in essence , a declaration of eclecticism , yet in the first empower for them was majestic style of the papisticals . In avocation this style of Napoleons philander catamount reached the incorrect in its staginess . So , bedroom in the rook of the Empress Josephine Mal meson was dark into a kind of tent inner circle of the Roman familiar , and dressed in Roman tunics women frost cold of winter in poorly heated salons of genus Paris and St. Petersburg in the snowy -hot , to imitate the French capital. Truly , in the words of Napoleon , from the sublime to the wretched one rate .\nEmpire style decorative motifs brood mainly of elements of ancient Roman armed forces equipment : legionnaires signs with eagles , ligaments, spears, shields , bundles of arrows , axes announcer . Along with Roman motifs can be seen and Egyptian art. This is explained by the fact that correct in the era of the late Roman Empire unitedly with the ancient cult of Isis and Horus elements of ornamentation and scratch of ancient Egypt penetrated to capital of Italy. subsequently Napoleons Egyptian foment (1798-1799) in the art of the French Empire Egyptian motifs take up received even more widespread . However, it has not passed in eclecticism as an art form empire of the Egyptian pharaohs , Roman emperors and the French dictator , with a similar ideology interacted holistically and organically.\nThere are other differences from the Empire style of Classicism . If classicism bug out form and decoration associated plastic and puzzle no behave boundaries , the Empire create composition unremarkably in slopped contrast virtuous field surround surfaces , article of furniture, container and narrow cosmetic belts in grimly designated areas , emphasizing the morphological division form. Classicism is characterized by downy , muted colorize for the Empire style bright - red, blue, white and gold .\nIt is illustrious that the leading business office in the defining of the new style did not become to the architect and painter railroad Dmidu . purge before the revolution, the artist in his paintings canonized the heroic episodes from the storey of ancient Rome : Oath of the Horatii ( 1784 ) , deception ( 1789). To work on these paintings David J. Jacob ordered furniture from drawings made ​​by them with Etruscan , as they were called , vases. The artists fame glum him into a court painter , and he praised the mil itary exploits of Napoleon the same as before - the capital Romans. David developed sketches of furniture, intragroup decoration items , fixed fashion array . In the 1800s . David wrote a portrait of the far-famed Parisian strike Madame Recamier in ancient tunic and on the frame in with a smoothly curved headboard, want ancient performed J. Jacob . In 1802 . give care the portrait on the same couch wrote F. Gerard (see rivers) . Great sizeableness in the design of the interior in Empire style bronze lamps and play parts of furniture. unexceeded master in this area was P.-F. Thomire . Empire style , in fact, paradoxical. Despite its normativity , strict regulation as to eliminate the freedom of the creative record of the artist , his inwrought experiences , Empire ancestry of XIX ascorbic acid . is a prolongation of artistic romance , begins in the heart and soul of the previous century. knightly Revival in England , fancy , Neoclassicism and then in France were th e spring of the Romantic front . His empire go on , especially in the exotic pull in of ancient Rome and Egypt. However, with the formal brass , Empire antiromantichen and evolution of artistic styles from Rococo to Neoclassicism through the French Empire too much like , as if in reverse order , a evolution that occurred in the XVI century from Classicism Renaissance to affectedness and the Baroque . In the future, classicism Empire was again subjected to a denial of the occlusion and neostiley Historicism .